Saturday, October 11, 2025

“A mirror keeps my secrets safer than any friend ever could. Before the jazz begins, I give myself a moment of grace — just one breath, one look, one quiet little dream that belongs only to me.”

A 1920s dressing-room tableau: a young woman, adult and assured, braces one foot upon a low bench while fastening her stocking. Her cloche hat—a dark bell with a pale ribbon—shadows waved bobbed hair. A fox-fur stole pours over one shoulder, its softness echoing the brushed nap of her short, dark dress. The lifted hem reveals the clean curve of hip and stocking-top; in the cheval mirror, her backside becomes a second, ghostly subject, framed by carved acanthus and pearls of gesso. Plaited Mary-Jane heels, a tasselled reticule in hand, and a scatter of studio paintings behind her place the scene between boudoir and atelier. The light is high and even—silver rather than sultry—so the mood reads intimate without tipping into salacious. Lines and ovals rhyme throughout: hat brim, mirror ellipse, rounded thigh, bowed bench legs—Art Deco geometry softened by fur and flesh.
source unknown

The 1920s stitched in fabric and rhythm: silk that murmurs of emancipation, stockings that stride to the tempo of the city. Fur whispers of luxury, tassels laugh at restraint. Listen closely—one can almost hear Ravel spinning on the gramophone, and the delicate click of a clasp completing the ritual A century on, the wisdom still glimmers: elegance is not the costume, but the restraint—reveal a breath, conceal a stanza, and let the mirror hum the melody.

Copyright 2025, Arthur Newhook. FULL LIST OF LINKS - linktr.ee/arthurnewhook. DONATIONS GRATEFULLY ACCEPTED on Cash App ($ANewhook).

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