Showing posts with label Carole Lombard. Show all posts
Showing posts with label Carole Lombard. Show all posts

Friday, July 3, 2026

Remembering Susan Peters, 3 July 1921 to 23 October 1952

Colourised portrait of Susan Peters in the early 1940s. Dressed in a light blue short-sleeved blouse and a dark skirt, she stands beside a bicycle on a seaside promenade lined with palm trees. Leaning lightly against a stone railing, she gazes thoughtfully towards the bright horizon, her face illuminated by soft sunlight. Her dark hair is styled in loose curls and tied with a ribbon, while the bicycle rests between her and the walkway stretching into the distance. The composition conveys youthful elegance, optimism, and quiet contemplation. The sunlit setting, pastel colours, and relaxed pose create an atmosphere of carefree serenity, reflecting the wholesome screen image that helped make Peters one of Hollywood’s most promising young actresses of the early 1940s.
Steven Rea, c. 1943; colourised

Hollywood hath had its share of tragedy through the decades — lives cut short in various manners, from Carole Lombard to Marilyn Monroe to Sharon Tate, and many more in between and beyond. One of the very saddest tales is that of Susan Peters. One of the most promising young actresses of the early 1940s — first at Warner Bros. and later, more successfully, at MGM — she already had an Academy Award nomination under her belt (for 1942's Random Harvest) when a duck-hunting accident on New Year's Day 1945 left her permanently confined to a wheelchair. 

Amazingly, she made a courageous comeback as the wheelchair-bound villainess Leah St. Aubyn in 1948’s The Sign of the Ram (Columbia Pictures), a film that I am fairly certain I have seen at some point in the distant recesses of my memory, and may even have enjoyed, in spite of the fact it did not receive good reviews and was a box office flop. More critically successful was her turn as Laura Wingfield in a production of Tennessee WilliamsThe Glass Menagerie, and she also appeared as Elizabeth Barrett Browning in a production of The Barretts of Wimpole Street. In 1951, she starred in a live daily half-hour drama (not an uncommon practice in the early days of television) named Miss Susan for NBC, but this ended after about nine months as her health declined.

By 1952, abandoned by both her former husband and a fiancé, and suffering profoundly from clinical depression and the effects of her paralysis, Susan Peters appeared to lose the will to live (apparently telling a doctor as much) and largely stopped eating and drinking. Compounded by the effects of her paralysis, she developed pneumonia and a chronic kidney infection, which ultimately killed her, only thirty-one years old. 

The universe is indifferent, and why such tragedy befalls innocent people and creatures I shall never understand. It certainly damages my faith in God whenever I hear a story such as this one, or witness needless cruelty and suffering in the world. Yet I do pray, and hope not in vain, that Susan Peters ultimately found the peace and happiness that so cruelly eluded her in life.

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🪐💔 #QueSeraSera 𓅨 🕈

Copyright 2026, Arthur Newhook.

Saturday, June 20, 2026

Gail Patrick: beauty, brains, and ambition

A black-and-white studio portrait of actress Gail Patrick standing beside a curtain in an elegant Hollywood pose. She weareth a flowing, semi-sheer evening gown with delicate translucent sleeves and a fitted waist with decorative detailing. Her dark hair is set in 1930s curls; her poised, self-assured expression looketh directly at the camera. One hand resteth lightly against the curtain; the other is raised, displaying a ring and neatly manicured nails. Soft studio lighting accentuates her features and the gown’s graceful drape. Refined glamour and sophisticated publicity photography—Paramount Pictures and the Golden Age of Hollywood in the 1930s.
Paramount publicity photo

The luminous film actress and groundbreaking television producer Gail Patrick, also known professionally as Gail Patrick Johnson.

Born Margaret LaVelle Fitzpatrick on 20 June 1911 in Birmingham, Alabama, she apparently aspired to become governor of that state while enrolled at the University of Alabama’s law school, which speaks to her ambitious and determined nature.

After a successful career at Paramount, where she specialised in playing ‘bad girls’ and starred opposite some of the leading stars of the era — Carole Lombard, Cary Grant, Ginger Rogers, and Anna May Wong, to name just a few — she established her own production company and served as executive producer of Perry Mason from 1957 to 1966, the only woman serving in such a capacity during that period.

Furthermore, she was the first woman to serve in a leadership role at the National Academy of Television Arts and Sciences.

Following a lifetime of achievement and acclaim, Gail Patrick tragically succumbed to leukaemia at the age of 69 on 6 July 1980.

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🪐💔 #QueSeraSera 𓅨 🕈

Copyright 2026, Arthur Newhook.

Wednesday, September 11, 2024

The serene elegance of Carole Lombard: an otherworldly reflection by Otto Dyer

John Kobal Foundation/Getty Images

An ethereal and dreamlike portrait of the Golden Age of Hollywood goddess, Carole Lombard, her delicate and refined features captured by the hand of Otto Dyer. She gazes upon a mirror, creating a visual effect by capturing manifold angles of her comely visage. Her countenance is pensive, with eyes cast slightly downward and lips gently parted, evoking a feeling of serene elegance. Her platinum blonde locks are softly waved, artfully drawn back from her face. The lighting illuminates her fair complexion, emphasising her sharp and symmetrical features, whilst her dark-hued lips stand in striking contrast. She holds a flower delicately, lending a gentle touch of softness and womanly grace.

Copyright 2024, Arthur Newhook. @Sunking278 and @FloydEtcetera on X, and at the same handles on FACEBOOK. MASTODON - @ArthurNewhook@mastodon.world, BLUESKY - @arthurnewhook.bsky.social. DONATIONS GRATEFULLY ACCEPTED at https://tinyurl.com/ArthurNewhook.

Sunday, July 7, 2024

A publicity photo of Carole Lombard for Pathé Studios, dating back to circa 1929


A radiant star of Hollywood, the illustrious Carole Lombard, though snatched from this mortal coil far too soon, graces us with her presence in this most elegant and cunning portrait, crafted by the artisans of Pathé Studios circa 1929. She is draped partially in luxurious, shiny fabric, forming a dramatic frame around her womanly form. Upon her head rests a dazzling contraption, a bejewelled headdress fit for a queen, shimmering and gleaming with otherworldly light. Her gaze, cast ever so slightly to the side, speaks of contemplation and mysteries untold. The cunning play of light, masterfully employed, illuminates both the beauty of her face and the rich texture of the fabric, weaving a tapestry of light and shadow most striking to the eye.

Copyright 2024, Arthur Newhook. @Sunking278 and @FloydEtcetera on X, and at the same handles on FACEBOOK. MASTODON - @ArthurNewhook@mastodon.world, BLUESKY - @arthurnewhook.bsky.social. DONATIONS GRATEFULLY ACCEPTED at https://tinyurl.com/ArthurNewhook.

Thursday, June 27, 2024

Carole Lombard, captured by Eugene Robert Richee for the September 1935 issue of Picture Play magazine


Actress Carole Lombard striking a glamorous pose. Her arms are raised gracefully above her head. She is clad in a delicate, light-coloured dress with thin straps. A serene and poised expression doth adorn her visage, accentuated by carefully arched eyebrows and dark lipstick.

Copyright 2024, Arthur Newhook. @Sunking278 and @FloydEtcetera on X, and at the same handles on FACEBOOK. MASTODON - @ArthurNewhook@mastodon.world, BLUESKY - @arthurnewhook.bsky.social. DONATIONS GRATEFULLY ACCEPTED at https://tinyurl.com/ArthurNewhook.

Fare thee well, Dolly Parton

Dolly Parton Archive A fond farewell to one of America’s most beloved public figures: Dolly Parton , 19 January 1946 to 25 August 2026. {NYT...