Showing posts with label Canada. Show all posts
Showing posts with label Canada. Show all posts

Tuesday, September 15, 2026

The dream before the river

A softly luminous black-and-white portrait depicts a dark-haired woman seated before sheer curtains, enveloped in an ethereal, translucent gown whose diaphanous fabric pools around her. Small blossoms adorn her long, softly waved hair, while flowering branches descend from above, reinforcing the image’s romantic, dreamlike character. She raises one hand delicately to her lips and gazes upwards with a wistful, almost entranced expression. Diffused backlighting, pale furnishings and gentle tonal contrasts create an atmosphere of fragile, theatrical melancholy reminiscent of Ophelia.

Fay Wray, in the guise of Shakespeare’s tragic beauty Ophelia; photographed for Vanity Fair magazine by Edward Steichen, August 1930. The original ‘scream queen’ was born upon this day, 15 September, in Cardston, Alberta, in 1907.

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๐Ÿช๐Ÿ’” #QueSeraSera ๐“…จ ๐Ÿ•ˆ

Copyright 2026, Arthur Newhook.

Wednesday, August 12, 2026

The tragic life and death of Willy Rey, Playmate of the Month for February 1971


Playmate of the Month for February 1971, the flame-haired Dutch-Canadian model Willy Rey (nรฉe Wilhelmina Rietveld) was born in the Netherlands in August 1949 and emigrated to Canada whilst still a child. Characterised in contemporaneous accounts as ‘vivacious’, ‘sweet and innocent’, and ‘totally honest’, the young lady briefly achieved her long-cherished aspiration of modelling fame in the early 1970s, appearing in the pages of Playboy and across a range of print advertisements, including extensive work in Japan. By August of 1973, however, something had gone terribly awry, and Willy Rey succumbed to a fatal overdose of sleeping medication at her family's residence near Vancouver, a mere twenty-four years of age.

In an obituary published by the Canadian Press, her father was quoted as saying: “I wish there had never been a Playboy. She would not have become famous and I would still have my daughter.” In the months preceding her passing, she had, by various accounts, consulted ‘several’ psychiatrists, and was said to have ‘experimented with hard drugs’ and become ‘deep into God-Devil worship’ (the precise nature of which is anybody’s guess). I pray her father and loved ones found some measure of consolation in the years following her death. Whatever ultimately led to Willy Rey's tragic demise — and whilst deeper information about life and background proved elusive in my research — her beauty and her name endure through the body of work she left behind; and she merits remembrance as considerably more than merely the circumstances attending her final days.




















๐Ÿช๐Ÿ’” #QueSeraSera ๐“…จ ๐Ÿ•ˆ

























Copyright 2026, Arthur Newhook.

Monday, August 10, 2026

Norma Shearer: Hollywood's First Lady in velvet

A beautifully colourised studio portrait of actress Norma Shearer by Alfred Cheney Johnston, circa 1924. Seen in graceful side profile against a dark, softly graduated backdrop, she sits wrapped in a sumptuous deep sapphire-blue velvet drape that leaves her elegant back and shoulders exposed. Her auburn hair is arranged in an intricate 1920s coiffure, while her eyes are gently lowered and her hands are delicately clasped beneath her chin in a contemplative pose. Warm, diffused lighting softly models her porcelain complexion, creating an atmosphere of quiet refinement, classical beauty, and understated glamour characteristic of early Hollywood portraiture.
photo: Alfred Cheney Johnston, c. 1924. colourised via ChatGPT

Forever the patron saint of The Echo of a Distant Time and Broken Dolls and Fallen Angels. Goddess of the silver screen, Queen of MGM, and an enduring paragon of elegance whose intellect equalled her beauty. Norma Shearer was a pioneer before her time, remembered for luminous sophistication, quiet fortitude, and the timeless glamour that characterised cinema's Golden Age. Wishing the lady the happiest of heavenly birthdays; born in Montrรฉal in August 1902.

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๐Ÿช๐Ÿ’” #QueSeraSera ๐“…จ ๐Ÿ•ˆ

Copyright 2026, Arthur Newhook.

Wednesday, July 1, 2026

Mary Pickford: dreams of Sunnybrook Farm

Publicity still of Mary Pickford in Rebecca of Sunnybrook Farm (1917). Seated on a patterned Victorian sofa, Pickford portrays the youthful Rebecca in a frilled dress, dark stockings, and a small hat. Her long curled hair falls over her shoulders as she gazes forward with a plaintive, wide-eyed expression. She holds a closed parasol upright beside her while a travelling bag rests on the floor nearby, suggesting a recent arrival or impending journey. The black-and-white image emphasises the innocence and vulnerability associated with Pickford’s celebrated “little girl” screen persona. Ornate furnishings and period costume reinforce the film’s rural late-nineteenth-century setting and sentimental tone.

Canada Day: Toronto-born Mary Pickford, seen in Rebecca of Sunnybrook Farm (1917, Aircraft Pictures). 

At the time of this photo still, she was the richest and most famous actress in the world, described by a contemporary writer as ‘the best known woman who has ever lived, the woman who was known to more people and loved by more people than any other woman that has been in all history’. 

Virtually forgotten today, partially due to having become a recluse later in life and partially due to the simple passage of time, which is sinful given that she was more than a mere actress, but a pioneer in the young film industry, co-founding United Artists in 1919 alongside (future husband) Douglas Fairbanks, Charlie Chaplin, and D.W. Griffith. All household names of the time themselves, though — best I can tell — only Charlie Chaplin might be recognised by a majority of folks today, and even then maybe only a majority of older people, as very few younger ones would know or care. 

I sometimes wonder whether that contributed, among many other factors, to Miss Pickford's depression in later life: knowing that even the most beloved public figures are eventually forgotten by the audiences that once adored them.

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๐Ÿช๐Ÿ’” #QueSeraSera ๐“…จ ๐Ÿ•ˆ

Copyright 2026, Arthur Newhook.

Norma Shearer: dreams between dictation

Publicity still of Norma Shearer from His Secretary (1925). Seated at an office desk beside a large typewriter, the young actress rests her head gently against her clasped hands and gazes thoughtfully to one side. Her dark hair is neatly styled and swept back, complementing a fitted long-sleeved dress typical of the mid-1920s. A vase of flowers stands beside the typewriter, while a wire paper tray filled with documents occupies the foreground. The softly lit black-and-white composition conveys a mood of quiet reflection, contrasting the practical surroundings of clerical work with an air of romance and daydreaming. The image exemplifies the polished elegance and expressive subtlety that characterised Shearer’s early silent-film screen persona.

On this Canada Day, it is only fitting that we honour Montrรฉal-born screen goddess Norma Shearer. Forever my favourite Canadian siren, and forever the face of The Echo of a Distant Time and Broken Dolls and Fallen Angels. Seen here in a promotional still from the pre-talkie His Secretary (1925). Even at this young stage, she was on a clear trajectory to becoming the Queen of MGM.

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๐Ÿช๐Ÿ’” #QueSeraSera ๐“…จ ๐Ÿ•ˆ

Copyright 2026, Arthur Newhook.

Margot Kidder: notes from Metropolis

Studio portrait of actress Margot Kidder seated upon a white stool against a plain pale backdrop. She wears a light blue blouse with gathered sleeves, a cream-coloured skirt, and dark heeled sandals. Holding a notepad and pen loosely in her hands, she appears poised between observation and reflection, as though preparing to interview a subject or record a thought. Her dark hair falls to her shoulders with soft bangs framing her face. The minimalist composition, gentle lighting, and restrained palette draw attention to her calm expression and direct gaze. The photograph emphasises intelligence, composure, and quiet confidence, presenting Kidder in a natural, unpretentious manner rather than through the glamour typically associated with Hollywood publicity portraits of the era.
Columbia Pictures

Wishing one and all a very happy Canada Day. Celebrating with Yellowknife native Margot Kidder, known to the world as the definitive Lois Lane, seen here in a promotional still for the first Superman film from 1978.

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๐Ÿช๐Ÿ’” #QueSeraSera ๐“…จ ๐Ÿ•ˆ

Copyright 2026, Arthur Newhook.

Sunday, November 23, 2025

John Milton’s Areopagitica: a voice of reason from a fractured age, yet also for our present fractured age

A monochrome engraving of the poet John Milton, rendered with solemn clarity and restrained elegance. His visage is long and grave, the expression reflective rather than austere, the eyes set deep beneath a smooth brow, seeming to gaze past the viewer toward some unseen ideal. Loose curls fall symmetrically upon his shoulders, framing a face of spiritual gravity and intellectual refinement. The artist has captured not merely likeness but character—the inward tension of a man divided between faith and reason, rebellion and divine order. His broad lace collar and simple doublet evoke the Puritan sobriety of seventeenth-century England, yet the drawing’s soft gradations of line lend him an almost pre-Raphaelite serenity. It is an image at once human and emblematic: the countenance of the visionary who gave the English tongue its most exalted epic, the poet who sought to ‘justify the ways of God to men’.
public domain

Published on this day in 1644, Areopagitica remains John Milton’s impassioned admonition to heed ‘the voice of reason’, and his powerful denunciation of the English Parliament’s decree (the Licensing Order of 1643) that all authors must first obtain governmental approval before publishing their works. It was composed at the height of the English Civil War, an age of violent ideological fervour and division that was, perhaps, a grim portent of what we now witness unfolding across the globe—most acutely, and relevant to yours truly, within the former United States of America.

It was a fiercely partisan era, yet Areopagitica is the work of a man of nuance and integrity—the very sort of soul who is rare in any epoch, and indispensable in times such as those of seventeenth-century England. Indeed, such men and women are just as vital in our own age of omnipresent technology, nuclear armament, and zealots as unenlightened now as they were in 1644 (or perhaps worse).

Family tradition long held that John Milton was among my ancestors, and though I have found the name ‘Milton’ in my lineage, I have traced it only as far back as the early nineteenth century, in northern Maine and the Maritimes. Doubtless, the line originated somewhere in England—I have confirmed ancestry from virtually every corner of the old country. No matter; I cannot say with certainty that he is a forebear of mine. Yet, I offer humble thanks to the man for what he bestowed upon humanity: ideas that still resonate in certain circles today (amongst the dwindling numbers who still think, that is). I rather suspect he would be appalled at the state of our world today.

Copyright 2025, Arthur Newhook.

Monday, October 13, 2025

“I never meant to fall, darling—but isn’t it delicious when the world catches you softly?” Remembering Barbara Kent, the Canadian-born starlet of Hollywood’s Golden Age, who departed this day in 2011

Barbara Kent tumbles into a snowdrift with a mix of grace and comic surprise, her snowshoes flaring outward like delicate wings caught mid-flutter. The flapper-era knit cap and short skirt evoke a time when youthful daring met new freedom—an age of laughter, lipstick, and cinematic innocence. Even as she slips, there’s poise in her motion: the unstudied art of a silent-film ingรฉnue turning a fall into choreography. Around her, the snow gleams like powdered silver, the whole scene alive with mischief and charm.
Getty Images

Barbara Kent—brought forth amid the snowbound vastness of Alberta on 16 December 1907, and finally granted merciful freedom from this mortal coil on 13 October 2011, having attained the prodigious age of 103—was among the final embers of the first, incandescent epoch of Hollywood, an icon of an era when beauty seemed to respire rather than merely posture.

Having moved California at some point in childhood, Barbara Kent commenced her professional life, aged 17, by being anointed Miss Hollywood of 1925—the very quintessence of her generation’s ideal: soft of voice yet lambent of presence, her allure founded not upon contrivance but upon an exquisite equipoise—an innocence quickened by intelligence, a modesty irradiated by quiet certainty. The diadem secured her passage to the studios, where her cultivated stillness proved eloquent in a medium that conversed through silence alone.

Her big break arrived almost immediately. In Flesh and the Devil (1926), she was cast opposite Greta Garbo and John Gilbert—colossi of the silver screen—yet she did not vanish beneath their conflagration. Her performance served as counterpoint: tender, irreducibly human, the necessary cantus firmus beneath Garbo’s grand operatic blaze.

Over the next five or so years, she graced numerous productions—perhaps most memorably as the benignant Rose Maylie in the 1933 adaptation of Oliver Twist—negotiating the advent of the talkies with unblemished poise (a feat not universally achieved by many of contemporaries). She adapted, endured, and then, with characteristic reticence, withdrew almost entirely from acting following her marriage to the talent agent Harry Edington in late 1932.

To recall Barbara Kent—or those kindred souls who shared her brief effulgence—is to glimpse once more the dawn of cinema itself, when the alchemy of light and motion still shimmered with the shock of creation, and a young woman from the boundless Canadian prairies might step into that radiance and, for one breath of eternity, shine as bright as the sun. —Arthur Newhook, 13 October 2025.

Copyright 2025, Arthur Newhook. FULL LIST OF LINKS - linktr.ee/arthurnewhook. DONATIONS GRATEFULLY ACCEPTED on Cash App ($ANewhook).

Monday, August 11, 2025

ANCESTRY, AI, AND THE THREADS THAT BIND


On a Monday afternoon, apropos of nothing, and on a self-imposed news hiatus, making no effort to engage with the current tribulations of this declining world. I am instead experimenting with the latest iteration of ChatGPT, version 5, to which I submitted my current Facebook profile photograph, asking it to deduce my ethnicity. It correctly surmised that I am of predominantly Germanic and Celtic heritage, and, once I had confirmed its conclusion and enumerated the nations from which my ancestry derives, it produced for me the accompanying map.

In truth, I have little justification for including the blue-shaded regions—France, Belgium, and the Netherlands—since my known lineage from those lands is extremely minimal and dates back to just a scant few select ancestors from the sixteenth and seventeenth centuries who assimilated into German families. But I included them anyway. Could have also included Canada and the United States itself, as I have ancestors who were among the original Puritan founders of Massachusetts, Connecticut, and New York, and whose descendents were Loyalists who fled to the Maritimes after the American Revolution. ‘Canadian’ and ‘American’, however, are not really ethnicities unless one is of native blood (I am not). There is also the possibility that, through my maternal line, I may possess some measure of Eastern European ancestry. My mother was adopted as a young girl and never knew the identity of her father, though her birth mother claimed he was of Polish origin. My mother, however, has ever doubted the truth of this assertion, regarding herself as of purely English and Irish descent. A DNA test I once undertook disclosed no trace of Eastern European heritage (putting aside that Saxons, Celts, et al. all originated in areas in and around the Kievan Rus’ thousands of years ago); yet I harbour some doubt as to the accuracy of those things, despite the results aligning precisely with the findings of my own research and what I feel in my being.

The yellow-marked nations denote the principal sources of my bloodline, England above all and Germany not too far behind; yet Denmark—and, indeed, Ireland—*perhaps* ought likewise to be shaded yellow. One of my grandmothers, the aforementioned neglectful mother of my own, was born in Galway, Ireland in 1910 (raised in County Mayo), while a great-grandmother—my paternal grandmother’s mother—was born near Copenhagen in the 1890s. The Irish-born grandmother was at least half English and may have possessed Scottish ancestry as well. My paternal great-grandmother was indisputably Danish (her brother, my great-uncle Julius, visited us for a spell when I was but a very young boy, circa 1982; he was, of course, quite advanced in years and by then entirely blind.); yet, as the Danes are a Germanic people, I tend to regard my Danish heritage as an extension of my considerable German lineage, much as I see my Irish and Scottish heritage as twin branches of the same Celtic tree. Rightly or wrongly, I suppose. To be honest, I really do not feel very Irish in my soul, though maybe a tad Scottish; another story for another day.

Anyhow, whether I ought to be impressed by ChatGPT’s aptitude in this regard or faintly disquieted, I cannot say. AI shall prove both a blessing and a curse, ushering in remarkable progress yet also certain horrors—much like the Industrial Revolution itself, I suppose. Still, with such tools now at our disposal, few can claim legitimate cause for boredom, and ignorance has ever fewer excuses in an age where so much knowledge lies at our very fingertips. —Arthur Newhook, 11 August 2025.

Copyright 2025, Arthur Newhook. @Sunking278 on X-TWITTER, and at the same handle on FACEBOOK. BLUESKY - @arthurnewhook.bsky.social. REDDIT - https://www.reddit.com/r/StopTheIdiocracy/new/. DONATIONS GRATEFULLY ACCEPTED at https://tinyurl.com/ArthurNewhook.

Thursday, November 28, 2024

A few thoughts on my English Puritan ancestors on this day of gratitude in Massachusetts Bay Colony

'Stepping Stones of American History', 1904. Via the Library of Congress

Heartfelt wishes of gratitude to all those celebrating Thanksgiving in the US. May everyone, everywhere, take the opportunity to count their blessings on this day. While I cannot definitively claim any Mayflower ancestry, many of my forebears were among the original English Puritan settlers of New England and New York. My primary lineage traces back to a gentleman who emigrated to Prince Edward Island, Canada, from West Yorkshire in the very early 19th century. However, extant family lines dating back as early as the 1630s reveal extensive English ancestry throughout Massachusetts, Connecticut, New York, Maine, and, eventually, the Canadian Maritimes, most of whom were exiled there following the American Revolution.

I harbour mixed feelings about the Puritans and their motivations. A substantial part of me wishes that none of my ancestors—English or otherwise—had ever set foot on this land, especially in light of current circumstances. Nevertheless, it is impossible to speculate on the state of the world today had it not been for centuries of mass emigration from Europe. Would I be living in England, Germany, or elsewhere? Would I even exist? 

So, in the spirit of Thanksgiving and the adage that the ‘grass is not always greener on the other side’, I am grateful to my Puritan ancestors for their role in establishing, most notably, Massachusetts, and for their positive contributions to society. They were far from perfect, yet there were many positive aspects to their faith—such as their steadfast commitment to literacy and knowledge; their appreciation of music and the arts; their charitable missions, including, at certain times and in specific circumstances, toward the Native Americans; dare I say, their fashion sense; and their deep, passionate devotion to the Lord Jesus Christ.

- Arthur Newhook, 28 November 2024

Copyright 2024, Arthur Newhook. @Sunking278 and @FloydEtcetera on X, and at the same handles on FACEBOOK. MASTODON - @ArthurNewhook@mastodon.world, BLUESKY - @arthurnewhook.bsky.social. DONATIONS GRATEFULLY ACCEPTED at https://tinyurl.com/ArthurNewhook.

Thursday, August 15, 2024

Born #OTD 1900: Estelle Brody


Estelle Brody, an American expatriate who swiftly found fame in British cinema in the late 1920s despite having no prior acting experience, was an unlikely superstar in the United Kingdom. Presented as hailing from Canada—a choice wrought to placate British audiences concerned about the perceived over-Americanisation of British cinema—her greatest success came with her role as Fanny Hawthorn in the 1927 film ‘Hindle Wakes’. Alas, her stardom was short-lived, as she was among the many who struggled to transition successfully from the silent film era into the age of 'talkies'. A move to Hollywood in 1930 proved unfruitful, and she did not work regularly again until the 1950s, when she appeared in bit parts in film and television. At the time of her death in 1995, she was a resident of the island nation of Malta.

Photo: a vintage illustration from 1928, featuring actors Estelle Brody and Jameson Thomas in a promotional image for the film ‘Weekend Wives’, produced by British International Pictures. Estelle Brody, adorned in a voluminous pink gown with soft ruffles, exudes a playful allure as she holds a small bouquet of flowers. Dark curls, entwined with floral adornment, frame her face. Jameson Thomas, dressed in a formal black tuxedo with a white shirt and bow tie, gazes affectionately at Brody. The caption at the bottom of the image reads, ‘The Coquette’, further emphasising Brody's flirtatious persona in the film.

Copyright 2024, Arthur Newhook. @Sunking278 and @FloydEtcetera on X, and at the same handles on FACEBOOK. MASTODON - @ArthurNewhook@mastodon.world, BLUESKY - @arthurnewhook.bsky.social. DONATIONS GRATEFULLY ACCEPTED at https://tinyurl.com/ArthurNewhook.

Thursday, July 25, 2024

#OTD 1814: One of the bloodiest battles of the War of 1812, the Battle of Lundy’s Lane (a/k/a the Battle of Niagara)

Illustration via the New York State Military Museum

On 25 July 1814, British and Canadian forces, under the command of the valiant General Sir Gordon Drummond, successfully repelled an American invasion at what is now Niagara Falls, Ontario, forcing the aggressors to retreat to their position at Fort Erie. In this hour of peril, a local resident named Catherine Lundy nobly offered succor to the weary British forces and shelter to their wounded. In gratitude for her valor, it is told that a British officer bestowed upon her his very sword. This day of triumph - albeit one that came at a very heavy cost - was later memorialised in the lyrics of the Canadian patriotic standard, ‘The Maple Leaf Forever’:

At Queenston Heights and Lundy's Lane our brave fathers, side by side

for freedom, homes, and loved ones dear, firmly stood and nobly died.

And those dear rights which they maintained, we swear to yield them never.

Our watchword evermore shall be, the Maple Leaf forever!

Copyright 2024, Arthur Newhook. @Sunking278 and @FloydEtcetera on X, and at the same handles on FACEBOOK. MASTODON - @ArthurNewhook@mastodon.world, BLUESKY - @arthurnewhook.bsky.social. DONATIONS GRATEFULLY ACCEPTED at https://tinyurl.com/ArthurNewhook.

Monday, July 1, 2024

Canada Day: Vancouver-born Ann Rutherford in an MGM publicity photo, circa 1940


Canadian actress Ann Rutherford, photographed around 1940 in an MGM publicity shoot by Eric Carpenter. She is perched upon a raised platform, wearing a vintage floral-patterned swimsuit tied afore in cunning fashion. Her tresses are like waves upon a summer’s morning as they cascade down her shoulders. Upon her lips, a radiant smile.

Copyright 2024, Arthur Newhook. @Sunking278 and @FloydEtcetera on X, and at the same handles on FACEBOOK. MASTODON - @ArthurNewhook@mastodon.world, BLUESKY - @arthurnewhook.bsky.social. DONATIONS GRATEFULLY ACCEPTED at https://tinyurl.com/ArthurNewhook.

Canada Day: Montreal-native Norma Shearer in a publicity shot for ‘Riptide’, 1934

MGM

Norma Shearer clad in a full-length satin gown. The dress features a halter neck and a bow detail at the chest. In her hands, she carries a diaphanous, delicate shawl which is draped over her arms and flowing out behind her. The background is dimly lit, with soft drapes visible.

Copyright 2024, Arthur Newhook. @Sunking278 and @FloydEtcetera on X, and at the same handles on FACEBOOK. MASTODON - @ArthurNewhook@mastodon.world, BLUESKY - @arthurnewhook.bsky.social. DONATIONS GRATEFULLY ACCEPTED at https://tinyurl.com/ArthurNewhook.

Thursday, May 9, 2024

Born #OTD 1928: Barbara Ann Scott

Barbara Ann Scott. Photo: Getty Images

Canadian figure skating icon and horsewoman Barbara Ann Scott, hailed in her days of skating as 'Canada's Sweetheart' and victor of the world championship in 1947 and 1948. Born on 9 May 1928 in Ottawa. 

Copyright 2024, Arthur Newhook. @Sunking278 and @FloydEtcetera on X, and at the same handles on FACEBOOK. MASTODON - @ArthurNewhook@mastodon.world, BLUESKY - @arthurnewhook.bsky.social, and @arthurnewhook on POST. DONATIONS GRATEFULLY ACCEPTED at https://tinyurl.com/ArthurNewhook.

Sunday, May 5, 2024

David Pastrnak's OT goal to knock out the Maple Leafs: A great moment in Boston Bruins history

Canadian Press

David Pastrnak scores in OT to deliver game seven to the Boston Bruins; the B’s are on their way to Sunrise. {ESPN 5/05}

Verily, a standout amidst a throng of unforgettable moments. Maple Leafs fans are in mourning today, and I do extend sympathy to the wonderful city of Toronto. A proud and iconic franchise, its last taste of championship glory now 57 years past. For me personally, of course, this stands as one of the more gratifying sporting moments of recent years: David Pastrnak's overtime goal did secure the decisive game seven for the Boston Bruins on Saturday night at TD Garden, whilst goaltender Jeremy Swayman did deliver unparalleled brilliance throughout the series. The Bruins now embark upon Sunrise, FL, seeking redemption for last season’s epic playoff collapse against the Florida Panthers. Naturally, yours truly shall be fervently supporting them every step of the way towards what we do hope will culminate in a Stanley Cup-winning campaign.

Copyright 2024, Arthur Newhook. @Sunking278 and @FloydEtcetera on X, and at the same handles on FACEBOOK. MASTODON - @ArthurNewhook@mastodon.world, BLUESKY - @arthurnewhook.bsky.social, and @arthurnewhook on POST. DONATIONS GRATEFULLY ACCEPTED at https://tinyurl.com/ArthurNewhook.

The Broken Dolls and Fallen Angels Facebook group returns

https://www.facebook.com/groups/886318992990373/ After a protracted ordeal, the Broken Dolls and Fallen Angels group is back up and runnin...